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You Can Help
You can contribute your talents to ArtCorps without
leaving the country.
- host intimate coffees to introduce
your friends and colleagues to ArtCorps
- design a fun layout
for this newsletter!
- build an improved database in
Filemaker or Access
- translate important documents from
English to Spanish and/or Spanish to English
- if you know
Spanish-speaking artists, tell them about ArtCorps
- tell us
how we can improve our website
To get involved in these or
any other activities, contact Suzanne at jenkins@nebf.org or
978-927-2404 x4
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Upcoming
Events
ArtCorps will be speaking at the following conferences
this spring and would love to have you stop by.
Social Enterprise Conference 2007 at the Harvard
Business School on March 4, 2007
International Opportunities in the Arts presented by
TransCultural Exchange April 27-29, 2007
7th Annual Conference on Social Change
Philanthropy presented by Grantmakers Without Borders June
7-9, 2007 |
Contact
Info www.artcorp.org
(978) 927-2404 | |
Welcome to ArtCorps
in Action
Every day brings exciting news from our projects in the
field, developments in ArtCorps' rapid growth, and new ways in
which you can get involved.We would like to share these with
you, and so we are inaugurating ArtCorps in
Action.
Please take a moment to select your preferences
for receiving this newsletter through the link "Update
Profile" at the bottom of this newsletter. You may cancel
your subscription or change your preferences through the links
at the bottom of every email.
I hope you enjoy hearing
news from our artists as they help non-governmental
organizations mobilize Central American communities into
action. Let us know what you think!
Warmly, Clare
Dowd, Executive
Director | |
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Mural
Ignites Cultural and Environmental
Discovery
Amid
the mountains and jungles of Guatemala, an innocent
conversation between 2006 ArtCorps artist Brooke Toczylowski
and a young schoolgirl named Xochil leads to the creation of a
60-foot mural along the outside wall of Xochil's school.
Brooke has spent the past year working with the youth
organization Jóvenes en la Misión (la JEM), which strives to
develop youth leadership-particularly in environmental
conservation. When Xochil asks Brooke to paint the name of her
school, Brooke sees an opportunity to advance cultural
awareness, community participation and the environmental
messages of la JEM.
Armed with eight poems by Humberto
Ak'abal, an indigenous Quiché poet, two traditional prayers
about the corn cycle from the Mam people, another group
descended from the Mayan civilization, and the legend of
Guatemala's national bird, the quetzal, Brooke guided a group
of 5th and 6th graders in a three-hour
drawing workshop inspired by the discovery of regional
environmental traditions. The students created beautifully
detailed drawings to be used in the design of the mural.
Brooke shares, "For three full days we prepped by painting the
lines, and then for two days the kids filled in the colors,
running back and forth to my plastic nylon sheet covered in
paint cans and begging for another assignment... each day was
a blessing... the kids were wide-eyed when they saw their own
drawings painted life-size on the wall, empowering them...
improving their creative capacities."
When the mural
was completed, a community event was held in which the
president of la JEM, Ever Valásquez, spoke to the group about
the organization and their efforts in environmental
conservation. The kids read the poems, prayer and legend that
were used to inspire their drawings, and a discussion was held
about the themes and meanings in each part of the painting.
Brooke writes, "It was a great experience that facilitated
community participation and involvement, cultural and artistic
awareness, and of course, promoted the imaginative ideals and
environmental messages of la JEM."
Colorful images of
corn, tortillas, landscapes and birds now cover the walls of
the school, acting as a reminder of the importance of nature
and conservancy in Guatemalan history and daily life. ArtCorps
makes this connection between culture and its partner NGO's
messages in order to spark community participation and
involvement across generations as well as a cultural and
artistic awareness that will continue even after the project
has ended.
*To read more about Brooke's work in
Guatemala, please visit her blog at http://www.brooketocz.blogspot.com,
or for more
information on la JEM, you may visit their blog in Spanish at
http://unidosporelagua.blogspot.com. |
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Improved Training Passess Torch to 2007
Artists
2007 Artists, Left to Right: Cristina
León Lara from Colombia, Isabel Samson from USA, Sandra Bulla
from Colombia, Aneth Sibrian from USA, Adriana Guzman from
USA. Not pictured: Oscar Gálvez from
Chile.
"I have seen them make so much progress in their
abilities... It is very difficult to leave. I invested so much
in them and they are ripe like fruit hanging from a plentiful
tree." --a 2006 artist writing to her successor
On
January 12th, our 2007 artists left home and gathered in La
Antigua, Guatemala to begin their year with ArtCorps. For the
first time, the artists were trained in cross-cultural and
community integration and left with new strategies for arts
collaborations with NGOs as well as team-building
techniques.
Peace Corps trainer Carlos Colombi taught
the new volunteers strategies for detecting their new
neighbors' underlying cultural beliefs and establishing
positive relationships. Using
experiential learning techniques, he placed the artists in a
nearby community to apply these newfound strategies under his
guidance.
Previous ArtCorps artist Aryeh Shell
shared dynamic theater games she used to build community with
her participants in El Salvador. In learning the games, the
artists opened up to share their hopes and fears: "When I read
about ArtCorps, I knew this was my path." "I am afraid I will
not be able to give as much as I will receive." "I hope to
gain experience I can apply back in my own country."
Aryeh then inspired the artists with the potential of
their work by sharing her own story. In one video, youth
performed the events lived by survivors of the Massacre of La
Quesera only 20 years before during the civil war. One
of the trainees commented that "the experience that
Aryeh lived in El Salvador was marvelous, but at the same time
painful, and allowed us to understand the value of our work as
artists and our respect for these communities."
Thus
prepared, the artists separated and plunged into the
field. Please
join us in wishing them well. Our upcoming
newsletters will introduce each of them and their host NGOs to
you in more depth so be sure to tune in next
month. |
Artist
Applications for 2008 Now
Accepted
Artists
interested in joining the ArtCorps adventure may now apply for
the 2008 year!
Click here to read full information and
application instructions.
Please check it
out and spread the word! We will share tips
on submitting a successful application over the coming
months. | | |