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ArtCorps

ArtCorps® in Action

ArtCorps advances social change initiatives by promoting arts and culture as powerful tools to generate cooperative and sustainable work between development organizations and the communities they serve. Through community arts projects, volunteer artists educate and inspire people to participate actively in improving the environmental, health, and social conditions in their communities.
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Contact Info
ArtCorps
www.artcorp.org
+1 (978) 927-2404
artcorps@nebf.org
This Month
We celebrate three exciting developments this month.
Artist Laura Smith
Field Project - An environmental mural project in El Salvador sparks a community effort to keep an important water source clean.

2009 Collaborators and Expansion - ArtCorps welcomes four new artists and three new partner sites in 2009 while expanding to Honduras! ArtCorps is also pleased to continue working with four returning artists and five partner sites in Guatemala and El Salvador.

Strengthening Our Commitment - The creation of a new staff position and the completion of ArtCorps' first field handbook strengthens ArtCorps' commitment to our partner organizations, communities and artists. Join us in welcoming Regional Program Officer Rafael Ayala Alvarado.
Quick Links to Articles
Environmental Mural Project
2009 Collaborators and Expansion
Strengthening Our Commitment
Environmental Mural Sparks River Clean-up
Written in collaboration by artist Laura Smith and staff member Suzanne Jenkins

The actors...

The town of Sacacoyo and the "Padre Mauricio Merino" community - The town of Sacacoyo is located in the La Libertad region of El Salvador, and various residents of Sacacoyo and neighboring secMerino Youthtors have formed a community of faith called "Padre Mauricio Merino." For the past 18 years, religious and political differences with the larger Sacacoyo has made it difficult for the members of the Padre Mauricio Merino community to achieve their ambitions.

Like many communities across El Salvador, they live in conditions of profound poverty and have very limited access to basic resources such as water, electricity, medical help and safety within their own homes. The population is mostly made up of youth, many of whom enjoy playing soccer. In this rural zone, the youth have very little access to recreation and safe spaces. The soccer fields in Sacacoyo are supposed to be the safe place to hang out, but fights, alcohol, sex and murders have blighted the space in recent years.

Non-governmental organization Fundahmer - Based in San Salvador, the Fundación Hermano Mercedes Ruíz (Fundahmer) brings integral community development assistance to Ecclesiastical Grassroots Fundahmer LogoCommunities across El Salvador like Padre Mauricio Merino. They offer programs specifically in Education, Human Development, Solidarity and Environmental and Economic Sustainability.

Artist Laura Smith - A visual artist from Massachusetts, USA, Laura previously she was a teaching artist in inner-city schools and did volunteer work around immigration and Hurricane Katrina as well as in Central America.

Through her work with Fundahmer in 2008, Laura realized, "Art does not have to be just for me, or just for my students or the comPainting togethermunity, but it can actually be a shared experience carried out with an entire community in which we shape our ideas and create together." Laura will continue as an ArtCorps Artist with Fundahmer in 2009.

The project...

Much of my work with Fundahmer last year was focused on creating opportunities for youth in the Padre Mauricio Merino community to develop their leadership abilities through the arts in a program called the Roque Dalton School, which is named in memory of one of El Salvador's most important poets.

One of the most tangible results of our collaboration comes from the youth's initiative to clean up the local river. We began as a mixed group of Roque Dalton and Sacacoyo youth, picking up trash ourselves and delivering theTrash Collection bags of trash to a place where they would be picked up by the collectors.  Certain community figures distrusted the youth's motives, but we overcame misperceptions. We finished with an average of 16 youth of different political and religious backgrounds plus various other Sacacoyo residents coming together over the course of 3 days to paint 2 murals with environmental messages. Since then, the larger community has helped to keep the river clean.

Early on, we sought the collaboration of the local directive committee and the mayor. The committee offered to communicate our objectives to the larger community and helped organize the trash pickup, but the mayor never responded to our repeated inquiries. We came to believe that he and others thought there would be political propaganda involved in our initiative and preferred not to participate for this reason.

River TicumaWhen we found the cement walls that we had repaired covered in political graffiti, we knew we needed to find better ways to involve the broader community. We decided to post fliers around town inviting everyone to help paint the 2 environmental murals that we had planned. Youth and adults from neighboring communities stopped by and got involved.

Seeing and participating in this initiative allowed people who had prejudices against the youth group and the Padre Mauricio Merino community to better understand what they do with their time and to see their admirable social ambitions.

Designing the MuralFurthermore, the Roque Dalton youth got the chance to practice their new facilitation skills. One emerging youth leader facilitated the design of one mural in advance. During the painting, they all took part in facilitating the participation of their neighbors.

We persevered, and by the end of the year we had two new murals up with messages about collaborating to take care of the environment. Throughout the week after completing the murals, we took note that instead of throwing trash everywhere, people had begun to pile it neatly near the concrete sinks and stones where locals bathe and wash their clothes. After a month, the surrounding community had placed trash bags where the piles had once been. The local mayor has also sent over a group to collect trash. We are glad that the mayor ultimately supported the river clean-up after understanding our purpose.

Designing the MuralWhen I look back on this and many other initiatives, the intangible results stick out to me as the greatest achievements: improved self-esteem, people of different ideologies coming together, better group integration and exploration of self identity and group identity. These are the results that I see as most sustainable, because dignity and love are key essentials to peace and cooperation.

Fundahmer and I are very excited for this coming year. Fundahmer staff would like to learn creative facilitation techniques to use in their regular programming in all of the communities they serve, not just the Padre Mauricio Merino community. Half of our collaboration will focus on a new staff development program to transfer these skills and ensure that Fundahmer reaps the benefits of art for social action long into the future. The other half will follow up on projects initiated in 2008, such as the river mural and the Roque Dalton School, so that youth from various communities will delve deeper into the role that art and popular education can play in the transformation of Salvadoran society.
Ticuma River Mural
2009 Collaborators and Expansion

For the first time, ArtCorps enters Honduras and is honored to work with a mix of talented new artists and seasoned returning artists! A new bonus stipend has made it possible financially for artists to serve for 2 years, providing continuity and reaching new depths in their projects.

We proudly introduce the following 2009 artists and partner sites (names listed below):

Artists and NGOs at January Training

New partner sites who received their first ArtCorps artist in January 2009
- In Honduras: Bosques Pico Bonito and the Association of Water Administration Boards of South Sector Pico Bonito (AJAASSPIB), both in La Ceiba. In Guatemala: World Neighbors at Lake Atitlán.

Returning partner sites - In Guatemala: World Neighbors Polochíc, Wildlife Conservation Society (WCS) and the Association of Forestry Communities of the Petén (ACOFOP). In El Salvador: Fundación Hermano Mercedes Ruíz (Fundahmer) and Asociación Mangle.

New artists who bring new talent to the communities and NGOs - Lauren Andreu (visual arts, USA), María de los Angeles Lagos Lagos (visual arts, Chile), Daniela Prieto Bischof (visual arts, Chile) and Elena Rodriguez Martin (visual arts and theater, Spain).

Returning artists who continue to contribute their talent - Cristian Beltrán (theater, Chile), Robyn Saxer (theater, USA), Laura Smith (visual arts, USA) and Alayna Wool (visual arts, USA).

We invite you to share our excitement for 2009 and to wish these artists and partner sites well in their collaborations!
Strengthening Our Commitment

In these times of global economic difficulty, ArtCorps has strengthened our commitment to improving the lives of Central American communities in need. Two investments are helping our artists and partner sites to promote community empowerment through the arts around environmental, health and human rights issues more effectively than before: the creation of a new staff position and the completion of the "ArtCorps Handbook: A guide to collaboration."

Rafael Ayala AlvaradoSalvadoran Rafael Ayala Alvarado joins as ArtCorps' new Regional Program Officer. Along with a special interest in improving the conditions in which people live, particularly disadvantaged children and youth, Rafael brings to ArtCorps more than 30 years of experience working with international organizations in social, educational and community development as well as his formal training as an educator and musician. Rafael seeks to position ArtCorps in Central America as an innovative approach to achieving sustainable change through the arts. He will also manage projects in the field and guide the application of ArtCorps' methodology, simultaneously promoting successful and sustainable changes in the ways that social organizations implement their programs and improving the quality of life of communities and community members.

ArtCorps HandbookAfter months of hard work by a small group of dedicated contributors, we are pleased to have completed the first handbook describing the ArtCorps approach to using art for social action! A dream of ours for years, this useful handbook intends to guide our artists and partner organizations in the field and to make our approach accessible to others. As a pilot version, it will be validated and improved based upon use in the field.

The handbook was written and compiled by ArtCorps alumna Aryeh Shell in collaboration with staff members Clare Dowd, Suzanne Jenkins and Rafael Ayala; ArtCorps artists Andrea Pérez and Robyn Saxer; volunteer Rosemary Costello; and all of the ArtCorps artists and NGOs whose experiences are reflected in its pages. Andrea Pérez contributed the graphic design. ArtCorps extends our sincere thanks to this hardworking team!
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