Snapshot
Programmatic Focus:
  • Leadership Development
  • Health Education
  • Community-based Natural Resource Management
  • Institutional Strengthening
Country:

El Salvador

Participating Communities:

Bajo Lempa

Partner Organization:

La Coordinadora, Asociacion Mangle

Artistic Medium:

Theater

MesoAmerica Before the Arrival of the Conquerors - Staff Skit Training
(01/01/2006 - 12/15/2006)
Project Planning
Background and Needs:

Farming practices that utilize chemical fertilizers and pesticides are degrading the soil, interrupting ecosystems and damaging the health of farmers and community members in Bajo Lempa. There is a high incidence of cancer and kidney failure in the Bajo Lempa region from the use of DDT in cotton farming. While the use of pesticides has resulted in deadly health impacts, there is still a strong resistance from farmers to commit to the expensive process of converting to organic methods. This is due in part to a lack of information about the consequences of GMOs and pesticides. In addition, most of the farmers do not have the economic resources to invest in a new system nor the literacy skills to research the impacts of conventional agricultural practices. The agronomists' previous attempts to communicate the importance of sustainable agriculture has not been successful due to lack of comprehension regarding GMOs and pesticides.

Collaborative Goal:

To build capacity within the organization to use this technique.

Project Objective:

By the end of 2006, La Coordinadora will have an increased ability to present information more effectively by utilizing skits and popular education.

Project Description:

I will train La Coordinadora's staff agronomists to use skits to educate communities. In particular, the agronomists have had trouble communicating the problems derived from farming practices that use chemical fertilizers and pesticides, so they will develop skits to communicate these issues with farmers. They will develop the skills and confidence to develop and produce plays without help from ArtCorps. This project will initially target staff agronomists, but their play will target farmers in the Bajo Lempa region.

Partner Organization Collaboration:

This project was proposed by La Coordinadora's agronomists, who after seeing the power of the youth theater, thought it would be great if they could use skits to communicate with farmers.

Planned Activities:

  • Meet with staff agronomists to brainstorm the main messages and content of the play. In particular, find a way to make technical information more accessible.
  • Train agronomists in theater skills through improvisational exercises and theater games.
  • Draft a script based on the brainstorm and discussions during the theater training.
  • Conduct skit rehearsals with the agronomists and develop costumes.
  • Train agronomists in popular education "decoding" techniques so that they are able to facilitate dialogue with the audience after the skits.
  • Perform the skits in Bajo Lempa.

Results & Reflections
Results & Impact:

La Coordinadora recognized that its communication regarding GMOs and chemical pesticides and fertilizers was not making an impact, which is what catalyzed this project.

Going into this project I wasn't sure exactly what form the skit would take. In order to emphasize the links between sustainable agriculture and the community's ancestral traditions, the story was set in Mesoamerica before the arrival of the conquistadors. The play was told by a narrator as if it were a fairytale. The main characters were two Salvadoran ancestors who, once upon a time lived in balance with the earth and showed great respect and reverance for nature. In the fairytale, the ancestors fall asleep and have a prophetic dream in which they travel to the future and meet Senor TomatePez, a tomato made cold-resistant with a fish gene, and Don Tamaron, an evil pesticide that doesn't care if it kills beneficial insects of humans. In the dream the conquistadores and capitalists steal their land, leaving their descendants dependent on multinational corporations for seeds and survival. The ancestors are convinced they must warn their descendants. In the skit they turn directly to the audience and start asking questions.

During the post-skit dialogues it was evident from the questions and discussions that community members were engaging with the concepts. The participants were more active in La Coordinadora's program and more open to trying new methods.

The staff agronomists, none of which had ever acted before, realized that they were very capable of creating and performing new skits. They also now recognize that theater in a powerful educational tool.

The play has been incorporated as part of the curriculum at The Agricultural School. It has also drawn in some new youth participants who perform the play in the community.

Preparation:

A couple of challenges in this project were the following:

  • The agronomist are very busy people, so it was difficult to have consistent rehearsals. Meetings were often cancelled or rescheduled.
  • The agronomists have limited time for developing theater skills and memorizing lines.

In order to deal with this first challenge, we just had to go with the flow. It helped that the agronomists work very closely as a team and are dedicated to their work.

To deal with second challenge, we fit the skit to address this limitation by having a narrator that could read directly from the script, while the other acted out what the narrator was reading or improvised.

Partner Organization Collaboration:

This project was primarily intended to transfer skills to La Coordinadora staff. The staff have recognized what a powerful educational tool skits followed by dialogue can be.

Project in General: